Tame Impala Tame Impala
The sound of spacy, guitar-heavy psychedelic pop has never really gone out of fashion since the Beatles brought it to the mainstream in the late '60s, with proponents like Pink Floyd and the Flaming Lips managing to make long careers out of mining its every seam. In the 2010s, there is no more popular psych-pop group than Australia's Tame Impala.
Kevin Parker (vocals/guitar) and Dominic Simper (bass) formed the band as 13-year-olds in Perth in 1999, sticking to bedroom recordings until 2007, when Jay Watson joined them on drums and backing vocals. Their sound was pure late '60s, but wasn't the sound of any specific band from the era. They were as likely to channel the Nazz as the Jimi Hendrix Experience. Cocooned away inside walls of psychedelic fuzz in Western Australia, they re-created their preferred period one song at a time with the aid of gear and production techniques that sounded like they hadn't been dusted off since 1968.
Like a lot of the buzz bands of the mid- to late 2000s Tame Impala's story involves MySpace. The social networking website rocketed them from a teenage garage band to the sought-after trophy in a multiple-label bidding war. It started when Modular Records sent them a message after hearing several songs on their MySpace page and asked for more. Tame Impala sent them a demo with 20 songs, which led to requests and offers from everyone under the sun. After consideration, they stuck with the label that had shown first interest, and signed with Modular in 2008.
In September of that year they released their first self-titled EP. There was some confusion among reviewers, several of whom referred to the release as "Antares, Mira, Sun" after the notes written on the artwork, a representation of the Orion Nebula drawn by bandleader and songwriter Parker. As well as drawing the art, the perfectionist Parker micromanaged the recording, performing every instrument himself. The EP went to number ten on the ARIA charts and number one on the independent label charts. Though Parker played everything in the studio, live Tame Impala functioned as a real band, though at their early gigs they were famously unprepared and never wore shoes. At one such shambolic gig for a Vice Magazine party in Melbourne, indie electro-pop band MGMT's label manager caught their act and was impressed enough to offer them the support slot when his band toured Australia. That year they also supported the Black Keys and You Am I on national tours.
The sound of spacy, guitar-heavy psychedelic pop has never really gone out of fashion since the Beatles brought it to the mainstream in the late '60s, with proponents like Pink Floyd and the Flaming Lips managing to make long careers out of mining its every seam. In the 2010s, there is no more popular psych-pop group than Australia's Tame Impala.
Kevin Parker (vocals/guitar) and Dominic Simper (bass) formed the band as 13-year-olds in Perth in 1999, sticking to bedroom recordings until 2007, when Jay Watson joined them on drums and backing vocals. Their sound was pure late '60s, but wasn't the sound of any specific band from the era. They were as likely to channel the Nazz as the Jimi Hendrix Experience. Cocooned away inside walls of psychedelic fuzz in Western Australia, they re-created their preferred period one song at a time with the aid of gear and production techniques that sounded like they hadn't been dusted off since 1968.
Like a lot of the buzz bands of the mid- to late 2000s Tame Impala's story involves MySpace. The social networking website rocketed them from a teenage garage band to the sought-after trophy in a multiple-label bidding war. It started when Modular Records sent them a message after hearing several songs on their MySpace page and asked for more. Tame Impala sent them a demo with 20 songs, which led to requests and offers from everyone under the sun. After consideration, they stuck with the label that had shown first interest, and signed with Modular in 2008.
In September of that year they released their first self-titled EP. There was some confusion among reviewers, several of whom referred to the release as "Antares, Mira, Sun" after the notes written on the artwork, a representation of the Orion Nebula drawn by bandleader and songwriter Parker. As well as drawing the art, the perfectionist Parker micromanaged the recording, performing every instrument himself. The EP went to number ten on the ARIA charts and number one on the independent label charts. Though Parker played everything in the studio, live Tame Impala functioned as a real band, though at their early gigs they were famously unprepared and never wore shoes. At one such shambolic gig for a Vice Magazine party in Melbourne, indie electro-pop band MGMT's label manager caught their act and was impressed enough to offer them the support slot when his band toured Australia. That year they also supported the Black Keys and You Am I on national tours.
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